Escaped convict arrives in nightclub where he worked, pre-confinement.
“Where’s Velma?” followed by neck breaking. Only the beginning of neck snapping, it turns out.
The Falcon (George Sanders) gets involved - - for no real reason.
RKO entry came two years too early for Noir, but the components are there.
Ward Bond, the menacing murderer, is shot from low angles, in deep shadow.
Unresolved conspiracies, point to a mastermind at the top.
Story based on Chandler’s “Farewell, My Lovely,” awkwardly mixes light comedy with vengeance.
Entertaining, though Falcon fans and Noir buffs might be confused by this cocktail.
